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In summary: I. THE APPEAL OF MASS MOVEMENTS The desire for change starts and lives in the hearts of frustrated people. Attached to this frustration these individuals possess a sense of power to accomplish great change. Faith in the future and the ability to project hope makes for receptivity to change. High hopes and dark endings incongruently go together. Belonging to a mass movement substitutes for deficiencies in the individual. Mass Movements compete with one another, and often are interchangeable. No movement is whole of a singular nature. II. THE POTENTIAL CONVERTS The best and worst of society often determine the course of history - over the heads of the great middle. A society without the dregs may be peaceful and complacent, but lacking in the seeds for change. Here are the ranks of mass movement fodder: New Poor: Memory of better times puts fire in their bellies. Abject Poor: Too occupied with survival to organize. Discontent is high, however, when misery is still bearable. Free Poor: Freedom creates and alleviates frustration.
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KN: In the current COVID-19 situation, we need to look much more at digital works of art and display of collections from various sources, which show you different aspects of art that are available. For the foreseeable future, it is the times of social media, virtual collections and online art. Venue of India Pavilion at Venice Biennale. YSW: KNMA has many promising collaborations, and last year with CII, Ministry of Culture-Government of India, and NGMA at the India Pavilion at 58' Venice Biennale, the theme was Mahatma Gandhi. Why was this theme chosen and what was the response from the audience? KN: This was the theme picked by the government for the pavilion. They were very keen to commemorate 150 years of Gandhi. The India Pavilion itself, was titled 'Our Time for a Future Caring', and engaged with the philosophies and contemporary relevance of Gandhi. The Mahatma's ideals are not just important in relation to the last 150 years, but are relevant even currently. The India Pavilion was rated in the top 5 of the Financial Times picks.
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